Screenwriting: The Script Adventure

The reason for the script...

2011-12-24T21:32:00.004-05:00

Yes, it’s Christmas Eve, and I’m elated! Christmas is my FAVORITE time of year. I love how sweet everyone is during Christmas – I can’t think of any other time throughout the year that people so love. Lindsey, a young lady at Chick-fil-a I chatted with while grabbing lunch, agreed that it would be awesome if people were kind year-round. Just goes to show you how amazing Love is.

So, what motivates me to dedicate commentary to this blog and agonize over structure, character, and story spending most, if not all, of my leisure time fine-tuning a vision for film? Well, check out my previous entries, you may discover that it's you – especially you who have not yet believed in Jesus Christ: King of kings, and LORD of lords. And tomorrow we’re celebrating His birthday!

Here's the deal, when you've been drafted into the Kingdom you’re a solider for eternity. Your orders are issued by the Almighty Commander of this universe, Elohim, and not even you can stop yourself. I’m telling you, resistance is futile: you’re a sold out.

Okay, I’m getting teary-eyed. Let me bring back in and share a Script Adventure.

Exactly 23 days ago I uploaded one of scripts to Amazon Studios. So far, it’s been downloaded six times and I’ve been holding a strong 83% Premise War battles win rate – not too bad eh? Problem is I didn’t follow my own advice and uploaded before I had a true final “first draft” – come on, you know you’ve gotten ahead of yourself too. See, what had happened was… I wanted to meet the deadline, and the initial upload had to be in *.rft format. Well, I didn’t spend time converting from *.pdf to *.rft and rushed to submit. Thing is, once you upload, you’re automatically entered in future contests. D’uh!

Anyway, when I went back to clean up the *.rft file, my “Reader” hat materialized and I saw the story was incomplete. BUT, here’s where it gets really fun! Because I know the story, particularly the end, I was able to pull it together – in my head… HA! I’m working on pumping out scenes to tie it all together and will upload a “final draft” in the next several weeks or less. Other than that, I have a couple feelers out on another script and we’ll just be patient to see what develops.

Now, before I blog again, I want to extend an invitation to the best life you’ll ever know – a life with Christ. Why? Let me ask you this, was there any time in your life that you said something untrue? What did that make you? Right, a liar – that’s just one thing you did wrong. We’ll not get into what other sins you might have committed. The good news is there’s freedom from sin and death, and peace so great it surpasses all understanding. This is my Christmas gift to you; simply say this prayer:

Heavenly Father, I recognize that I have sinned. I repent and ask you for forgiveness because I believe you created this universe, that Jesus is your son, that he is LORD of all, and that you sent him to this world to save me from sin and death, and to reconcile me back to you that I can receive from you all I need and desire to live a prosperous life here on earth. Thank you for my salvation, in Jesus’ name.

If you said that pray, welcome to the Kingdom and to your future: the very best this life has to offer!

Happy Writing & Merry Christmas,
/GM

Writing is rewriting until it’s written!

Three Days 'till Sunday...

2011-11-23T17:02:00.016-05:00

sounds like a great movie title doesn't it?

Any whose, for this installment of Screwriting: The Script Adventure, I'm gonna keep it simple because I'm really not in a writing mood, and don't want to force myself to be conversational when I'm not feeling it... feel me?

BUT, I will tell you this - I got some awesome feedback on one of my scripts, applied the notes, and pumped out several pages to establish backstory on a couple characters. So I'm feeling pretty acomplished - amazing how creative one can be when enlighted. I'm looking at pumping out another three to four pages to close a few more gaps before sending it back for a second round... still loving this thing called screenwriting!

I suppose with this being Thanksgiving Eve you're expecting me to write something about the occassion? Well, I'll write this "be cheerful no matter what."

Happy Writing & Thanksgiving,
/GM

Writing is rewriting until it's written!

The last draft, not the final one...

2011-10-23T12:57:00.023-04:00

Why? Because 'writing is rewriting until it's written'.

I honestly believe that until the script or blueprint of the fictitious world we create or real world we capture is properly written, it will not produce life for the subject being presented. It may be produced, but I don't believe it will produce at as great a rate. This is not to discount the technical and creative assistance of above-the-line players who bring it from script to screen. I'm talking about writer's method: "what brilliance [one] might have achieved had [s/he] taken greater pains. For the inside-out method is a way of working that's both disciplined and free, designed to encourage your finest work." --Robert McKee

Today I'll finish drafting a screenplay I drafted a "surrogate treatment" of five years ago using the outside-in method. The phrase "surrogate treatment" is borrowed from Mr. McKee's discussion on A Writer's Method. Here's what he wrote about the "inside-out method":

"Writing a screenplay from a thorough treatment is a joy and often runs at a clip of five to ten pages per day. We now convert treatment description to screen description and add dialogue. And dialogue written at this point is invariably the finest dialogue we've ever written." He goes on to say, "If you shortcut the process and rush straight to screenplay from outline, the truth is that your first draft is not a screenplay, it's a surrogate treatment - a narrow, unexplored, unimprovised, tissue-thin treatment." Of course he cautions that one must find their own method.

What's especially exciting about editing my "surrogate treatment" is that the above-statement confirms the maturity I experienced through the process - I hadn't read Story until after I "wrote" the script. The next scripts I wrote, using a developed method, are far better and resulted in a process that works well for me: I am a better screenwriter today than I was four years ago.

So today as I was preparing to complete a final edit of the last draft, I browsed Facebook and came across Robert McKee's Storylogue Official YouTube Channel and viewed this clip on the "10 traits of weak faulty dialogue" which reminded me of the importance of the Word.

Happy Writing,
GM

Writing is rewriting until it's written!

Sweet n'short...

2011-09-28T20:44:00.002-04:00

Wrap your head around this… professional screenwriters spend several years completing a single script! Hey, I’m an aspiring screenwriter who’s subject to “when I can make time” to write and on year five and the umpteenth rewrite of my first script.

Writing is rewriting until it's written... and you know what? I'm still excited about writing! You've heard me say it, and I'll say it again, it just keeps getting better.

Happy Writing!
/GM

And it won’t stop…

2011-08-24T22:32:00.030-04:00

READER
What won’t stop?

GINA MARIE
My determination to succeed.

READER
What does that mean?

GINA MARIE
That means I don’t stop until I succeed.

READER
How many scripts have you written?

GINA MARIE
Two… well, three if you count my short.

READER
It doesn’t sound like you’ve done much
filmmaking, so what makes you think you’ll
succeed?

GINA MARIE
If I wrote 10 scripts or more and produced
all of them would that qualify me?

READER
Uh… yeah!

And so goes script dialogue.

But does the number of scripts a person writes determine his/her success, or the numbers of films they produce – and maybe write, direct, and star/cameo in determine their success? If so, then what does that say about first time screenwriters with box office success and filmmakers with libraries of films still “in the can” or their film has only screened at minor festivals?

READER
The award determines a filmmaker’s success.

GINA MARIE
I don’t believe it does – at best it gives him/her
something to brag about… for a season.

READER
Then what determines a successful filmmaker?

The prize I’m after is greater than a figurine. However, I believe a filmmaker’s success depends on the intent for their material – the proof is in the output or yield. Successful product is the result of skilled craftsmen – let’s get a definition with that:

crafts•man –noun, plural -men.
1. a person who practices or is highly skilled in a craft; artisan.
2. an artist.

Ah ha! This changes the perspective a bit because someone who practices a craft or is highly skilled in it is defined as a craftsman. This implies you have to have a foundation of the craft to practice it – do lawyers and doctors practice without first obtaining advanced degrees to practice their profession? Well, they do but they shouldn’t; neither should anyone practice filmmaking without a foundation of the craft – a display of skills always looks easier than the effort to become skilled.

READER
So are you saying you went to film school
to learn screenwriting?

GINA MARIE
Did you hear me say that? And if I was, you didn’t
give me a chance to.

READER
So what are you saying?

GINA MARIE
I’m saying screenwriting is a disciplined craft.

Filmmaking is a disciplined art form, and the script is a blueprint for a filmed production. Since I haven’t studied film formerly, I might be categorized as an autodidact. However, I rely on the advice and direction of professional filmmakers – folks that make films for a living, but the supreme teacher is my Father.

READER
So what are you working on?

GINA MARIE
My vision, which is bigger than a movie.

But more specifically, I’m preparing one of my scripts for professional analysis by Michael Elliot Media. Since filmmaking is not my expertise, I personally believe in learning from seasoned professionals. Now, if you want to learn about managing highly complex telecommunications projects, I could teach you something. Nevertheless, having my scripts analyzed by a working professional will be a learning experience that could potential lead to filmmaker success. Besides, I won’t stop until I succeed as a filmmaker because nothing is impossible for me.

Happy writing,
/GM

Writing is rewriting until it's written!

What... five years!

2011-07-27T21:10:00.006-04:00

Well, that's how many years ago it was that I received the original Certificate of Registration for my first draft: I lost count of the rewrites after about draft eight. We won’t even go in to the number of title changes since then… HA! But here’s what’s really sweet, and you’ve read this in my blog before, the script gets better with each rewrite! Well, as long as you’re maturing as a writer – seriously, you have to study the craft otherwise you’re just putting words on a page.

Well Sunday at 7:06PM I completed what I believe is the next to last rewrite on my first script– 109 pages, that’s roughly two hours runtime. The reason I say next to last rewrite is because I want to get it critiqued again before I’m really comfortable with it. As a matter of fact, I’m going to read through it again after I post this blog – I’m seriously going look at where I can chop some fat off. Any whose, I love this story! I’ve watched it progress over the years, and I’m just so in love with it – it’s an urban social drama. And although I was raised in the “hood”, this is not a story about me. Needless to say, the circumstances are as true to life as I know them to be from personal experience because who wants to sit through a story they can’t relate to… at all? You know what I mean? Or have you ever watched a movie, except for maybe Sci-Fi and Comedy, and thought, “Please, it would not happen like that in real life.”

Okay, someone is asking “So, Gina, if writing is rewriting until it’s written, when is the script written?” I’d say when you’ve properly applied the notes you got from a professionally experienced Reader who has thoroughly critiqued it: by then you should be confident your story is structured well – it’s balanced, flows logically, delivers depth of emotion, your characters are developed, and there’s an audience who will connect with it.

As for me, a writer who’s in this for the Kingdom’s sake, it’s important that the story brings honor to my King first and foremost.

Okay, I'll have to read through it tomorrow... it's way past bed time.

Happy writing,
/GM

Writing is rewriting until it's written!

A rewrite state of mind

2011-06-26T22:13:00.012-04:00

Right, the last time I talked about “a rewrite” was in early February (Write something…) after receiving the two analyses for a script I submitted to BlueCat's Fellini Awards. I haven’t looked at it since then. Remember that? I scored 41 and 42 out of a possible 60… so, yeah, that piece needs some work. Here’s some good news! Beth Denasco, an excellent Reader, emailed me this afternoon to say that she’s offering one full professional critique to fellow filmmakers' written creative work (scripts, novels, etc) in support of her KickStarter project. Woohoo, talk about timely motivation!! Can you believe it? Just like that an entire month to get my acts together and $50 off a professional critique!

As for the only other script I’ve written… so far, I finally found a window of opportunity to revisit it… really getting into a rewrite state of mind here people. As a matter of fact, on 06/12/11 I got to page 30 – haven’t looked at it again since. What’s cool is that as I was working through it, I’m pretty confident it’s much stronger than the draft I submitted to 2009 HBFF, which is accepting admissions right now by the way. I haven't decided yet whether I’ll resubmit to their Storyteller Competition, but I know I could work through a rewrite of the entire piece in one or two sittings. 2011 BLFF is gearing up for their second season here in Atlanta, and I’m hoping to hear about a screenwriting track soon.

Great news, the project I wrote the five-minute skit for scored 100! Of course I don’t take all the credit, it was a team effort. I was soooo nervous, at one point toward the end of our performance, I think I babbled something. I was cracking up at myself inside. It was hilarious how nervous I was. I have much respect for stage performers…. no room for retake. Another lessoned learned, since I did do a good job, I’mma look for opportunities to write a part for myself in my stories… HA!

I’m telling you, opportunities are out there - all you have to do is look for them. How ‘bout I’m on vacation next week with no travel plans, plenty time to work through both scripts. See how that all just works out to the good… it’s called blessed.

Ah’ight, I gotta shut it down. It’s way past bedtime.

Happy Writing,

GM
Writing is rewriting until it's written!

Bandwidth…

2011-05-25T22:58:00.007-04:00

is usually equated with technology. In it’s simplest definition, bandwidth is the amount of data that a communication channel can carry in a given period of time. Because of my career in complex technology, I tend to think and/or analogize in technical terms. So I wondered whether I have the “bandwidth” to do all that I desire to do: in other words, how much can I do right now?

When I began my Script Adventure, I didn’t expect that my responsibilities would grow as quickly as they have. Between work and school, I’m slammed. Still, my deepest passion is Screenwriting/Producing for the Kingdom. So I had a moment (just a moment) when I thought, “Can I do all this?” That was immediately followed by the answer, “All things are possible to [them] that believe.” (Mark 9:23)

Okay, enough introspect, what about screenwriting?

I’m happy to report that I recently wrote a five-minute skit for a project I’m working on, and the team I’m working with really enjoys it. We’re performing it this weekend – I play a principal character. Know this, as a filmmaker, there’s going to come a time when you’ll have to get in front of the camera. So get your act together… HA! In an effort to balance everything I have my hands on, I’m beginning to sense a re-write mode coming on which well bring me back to the two features I’ve written, and the other two that are still in me… right now. The balance is coming as I fit my responsibilities into a disciplined schedule. I don’t like to think I’m juggling, rather I’m balancing: servanthood, school, fitness, and my job. On the producing front, I was able to reconnect with a dear friend who I consider family and who is investing talent in to the short film project: I’m really excited about what we’re doing so far and the places it will take us.

Fundraising is going as well as expected – I’m executing a phased process that integrates social media. I just checked our YouTube Channel and we’re at 596 channel views since we launched our "broadcast" – yesterday was a month to the date. For me that’s “going viral”… HA! The idea is to use YouTube to engage supporters, and we will continue to use it that way. As I consider ways to locate funds… wait, side bar here. I was talking to my brother recently, and he said something that really resonated with me, especially because of the type of person I am – BTW, he’s my BFF. To paraphrase, he said, focus on filling gaps between family and friends. Makes so much sense right? With a $10K budget, and a four-month timeline, I must connect with the deep pockets within my circle of influence who are interested in advancing the Kingdom. And so, phase deux begins.

Happy Writing,
/GM

Writing is rewriting until it’s written!

One mo'gin...

2011-04-25T22:45:00.005-04:00

oops, please excuse my Ebonics; I should have said, one more time… at least that’s the hope as I kicked off another fundraiser yesterday for my short film, Denied. The initial four-month campaign ended 12.30.10, and I had to take a step back to review lessons learned and strategize my next (and hopefully final) execution.

As autodidact with esteem for the craft of filmmaking, it’s very important to me that I appreciate the process. While I haven’t formally studied, I do have somewhat of a history dabbling in film: from producing/directing my first short silent horror as a child to collaborating with other indie filmmakers/students and working on professional productions. I’m at a stage now where I want to deliver nothing less than my best – excellence is the order of business. I admit, it can be a teensy-bit frustrating for many reasons that I don’t care to give attention to, and would on serve to take up space. Needless to say, I’ve learned the skill of “get over it and move forward”.

One of the first things I realized is that I have to actually be social in order to connect with Entertainment and Media professionals, and to locate individuals interested in what I have to offer. Don’t get me wrong virtual socializing has great value, but people need to see me in person. My issue is that I don’t have the time to “play” filmmaker – I’m a Telecommunications professional whose leisure time is valuable. Besides, as I mentioned, I’m familiar with collaborating on a film. However, what I purpose to contribute, as a filmmaker, is a ministry of reconciliation: I’m simply using film as a ministry tool. I need to know there’s a genuine sense of interest in my work, and I know it when I see or hear it.

So in considering how to navigate the many local filmmaker-networking opportunities, I purposely choose to attend events I feel I will meet professionals I could leverage introductions to from associations to long-term relationships. I’m excited about the connections I’ve made thus far, and satisfied that my material is moving in a direction I want them to in order to fulfill the purpose I intend for them. For the Denied project I identified key individuals I either have or would like to build a relationship with, and who I believe are genuinely interested in what I’m using film for.

In strategizing another fundraising round, I developed a grassroots model integrating social media that I believe will expand my circle of influence to raise awareness about the project and drive contributions. Check out the official Denied YouTube Channel to learn more.

Oh, did someone ask about screenwriting? Well, as an aspiring Writer/Producer, this blog will include entries related to the next step in the process – what happens after the script. Besides, I can’t begin to write the one story this process is building me up for until I have the Producer experience.

Happy writing,
/GM

Writing is rewriting until it’s written!

Floating on favor…

2011-03-27T23:18:00.011-04:00

Press pause, take a step back, observe, redress, and then resume; otherwise, focus gets blurry.

March has been absolutely amazing, and I haven’t written a single scene! And it’s not because of writer’s block or that I don’t have stories to tell or a script to rewrite; no, nothing like that. Remember I was planning to resubmit to the BlueCat Felini Awards, for the prize - selfish… IKR. Thankfully, at the beginning of this month, something happened that put things back in perspective. It’s pretty simple: I was reminded that the main thing is to keep the main thing the main thing. In order to do that, I literally had to press pause on me.

So I hit the breaks, then I took a step back to observe. You know what I mean? I had to see me for you – because I refuse to get sidetracked! In other words, I thought, “What is the main thing or agenda?” So I answered – that’s introspection not crazy, “Write and produce entertaining stories designed to capture the essence of truth.” “Whose truth?” A truth I’m experiencing and want to share with anyone interested in listening.

How ‘bout I reiterate the “why I write scripts?” for anyone reading this blog for the first time. Let’s start with a simple fact, everyone has a story – good or bad, we all have a story or experience to share. In filmmaking, stories fall into a genre or category if you will. For the most part, the stories I write would be categorized as “Faith-based” (i.e. based in faith). Well, even that’s a broad category because of the many different faiths practiced. So then what is faith? Merriam-Webster’s definition is:

1. a : allegiance to duty or a person : loyalty
b (1) : fidelity to one's promises (2) : sincerity of intentions

2. a (1) : belief and trust in and loyalty to God (2) : belief in the traditional doctrines of a religion
b (1) : firm belief in something for which there is no proof (2) : complete trust

3. : something that is believed especially with strong conviction; especially : a system of religious beliefs

Okay, I would argue that “there is no proof”, but this blog is about my adventures in screenwriting.

Any whose, I remember early on in this script adventure, someone sent me a Facebook message pretty much asking for advice about telling “his” story. I had to be honest. So I replied, “What makes your story worth telling? Why would anyone pay to see it?” Honestly – there has to be value to whatever we do. And then the question is what value does your story have? If what you’re sharing is just about you, then why share? But not everyone agrees… to each his own.

After I pressed pause, took a step back, and observed, I had to redress the agenda. That’s when God's favor swooped me up, and I’ve been floating on it since: I’m surrounded by it. Thanks to Him, Black Women Film Network, AFFRM, and Rolling Out Magazine I’m closer to “projecting a vision in motion.”

So what’s the point? Say goodbye to self, and suddenly there are no limits.

Now, resume.

Happy writing,
/GM

Writing is rewriting until it's written!

Write something…

2011-02-28T23:44:00.006-05:00

First and foremost, I want you to anticipate end-of-month entries for Screenwriter: The Script Adventure. Why? Because I don’t want to get into the tardiness of this entry – we both know I’m late. Besides previous discussions surrounding tardiness hasn’t improved my ability to deliver on time. Now this doesn’t mean I’ve given up on delivering an entry on the 23^rd of each month, just that I’m late, again… HA! So, with that, let’s continue our journey in February’s Script Adventure, shall we?

After receiving the call for resubmissions to the Fellini Awards on 02/8/11, I’m getting into a rewrite state of mind: yet it’s been 20 days now and I haven’t even looked at the script. The deadline is April 1^st, so there’s plenty time for me to “get my act together”. Besides, I’ve been focused on getting a handle on the role and responsibilities of my new position. Yes, I moonlight as a screenwriter and manage high profile projects for a Telecom giant in a global network service and operations organization by day.

Any whose, this rewrite is turning out to be a painfully joyous experience. I’ve only written two features to date, and I’m realizing that I need to dig much deeper to pull off the plot in this world I created. Even after discussing my rewrite challenges with some writer friends, I’ll still have to do the usual scene resequencing, but I need to get more creative in order to heighten suspense and add depth to the plot. This is the point where I tell you that I’m so not digging the psychologically volatile state of being I experience from the mere thought of rewriting – could it be that I’m trying to avoid pressure? Well, uhh, yeah!

Here’s what’s motivating me:

“a lot of the aspects of your script I have seen in other scripts… the fact that you … shake things up a bit, make it more than the usual script…”

“The simple story… is not anything new, but the twist… is a nice edge and makes for an original take on an otherwise common plot.

So the plan is to apply the first set of Readers’ notes to my second rewrite, and request two new Readers analyze it. Since there seems to be a general consensus between the first Readers, I’m more interested in having a new set of eyes on the resubmission.

In other news, I’m still working to get Denied produced. After discussing the budget with Roberta Munroe, it was knocked down to $10K. I decided to kick off another IndieGoGo campaign as soon as I get an answer on resubmitting my fiscal sponsorship application. In the meantime, I’m networking in search of local filmmakers who are genuine and talented: individuals sincerely interested in telling this story, and who are willing to work for food. Go on and tell anybody you think who might want to get on this project, I won’t complain.

In another other news, in fifteen minutes I’m implementing a health/wellness and study plan to reach a couple goals I set for end of June. It’s all about planning people – strategically, that is. A failure to plan is a plan to fail.

Happy writing,
/GM

Writing is rewriting until it’s written!

Lesson Learning…

2011-01-30T17:49:00.025-05:00

Back in the day my friends and I used a common phrase: “Stay ready, so you don’t have to get ready.” If you’re thinking, “Stay ready for what?” then you’re not ready… HA! The answer is to stay ready for whatever happens.

For example, several months ago, I suggested to my 18 year-old-cousin that he keep his self well groomed when he was job hunting. I said, "You gotta be clean shaved, taper and trim your hair, and get a nice pair of slacks, a dress shirt, and dress shoes - minimum." Well yesterday he thanked me saying the advice prepared him for a different occasion. You see, he didn’t have to get ready; he was already ready. He learned the lesson of staying ready to avoid having to get ready.

As I'm learning about the art and business of filmmaking, I sometimes wonder whether I’m ready to take the next step and move to the next level. I consider how prepared am I for success. Be honest, who doesn’t want the proverbial “red carpet experience”? Not just any red carpet, I’m talking about the one reserved for professionals. I want to experience THAT! Well then, simple logic says I have to be a film professional… right? How is that possible if you're committed to a full time job? Anyone who's been following this blog should have a clue about the answer.

The adventure continues with the first blog of 2011, and January kicking off the start of a promising year!

This month I attended Michael Elliot’s Circle Group webinar on Developing 'Marketable' Script Ideas and Stories That Sell. He gave me positive feedback on my story, an urban social drama, along with tips on marketing it and folks who might be interested in it. I had a one-on-one call with Tanya Kersey. She gave me amazing advice on preparing a pitch for my first feature script, referral to a professional Reader, and confirmed my approach to producing Denied, my first short. I got an email from Roberta Munroe to schedule a meeting to discuss my budget for the short – remember this is the short I wrote - she’s the project’s Consulting Producer. Lastly, I submitted my first feature psychodrama and the Denied script to the Fellini Awards. My feature scored 41 and 42 out of a possible 60: no news on the score cutoff to compete for prizes. I submitted my first rewrite of the feature based on notes I got from Beth Danesco. The script I submitted for Denied was based on notes I got from Roberta Monrue. I haven’t received feedback and scores on it yet.

Needless to say, I have work to do. First I gotta get in a rewrite and research frame of mind. What’s my screenwriter’s confession/mantra? That’s right, “Writing is rewriting until it’s written.”

Wait, back up, did I mention this is a business? Do not be mislead. You gotta know some facts and numbers, box office statistics and whatnot for casting alone! Okay, so you’re telling me you haven’t produced any significantly recognized material, and you want international celebrity so-and-so to be your protagonist – well doesn’t that sound novice. Who’s his/her audience, does his/her audience relate to your story, is s/he attainable to you, does s/he have any film awards/credits, did the film sell, did it perform well on the festival circuit or at the box office and/or through other revenue channels, etc? Think about it; are you even ready to talk about your project(s) to industry professionals who could help you produce at their level?

If you answer no, then why are you haphazardly rushing to make films? Why loiter at large indie film festivals or film markets you’re not working/volunteering at? If you’re not on the festival program, attending a workshop/event or prepared to pitch your project, why are you there? What’s the point of any of the time you spend “filmmaking” if you don’t plan to succeed? Here’s a thought, how ‘bout learn from professionals? Oh, forgive me, that answer requires a dedicated blog.

Don’t get me wrong. You might be able to sail on the coattail of someone else’s success, and be labeled as “Friend”, which I did. Shut, when someone asked me, “Do you want to walk the carpet?” All of a sudden I felt famous! But later, when I saw the media coverage, my name was “Friend.” So I felt ALMOST famous…HA! Not that fame is the reason; it’s just commonly associated with the “red carpet” walk. At this event, however, there were only a handful of folks who even knew I wanted to be an industry contributor. Yet I was simply labeled as “Friend”. I REALLY appreciate the invitation, and some type of association, but I plan to get in the game. Sure, you might be able to make a noteworthy contribution on a whim, but how prepared are you to stay in the game with the pros? Have any of them seen your work or know who you are?

Let me take a side step here. Let’s talk about communications for a few seconds. I believe it’s critical to any career, and failure to prioritize it can be detrimental. Of course in-person is most effective and impressive. Next best is telephone. Then there’s virtual communication such as email, which I place a high priority on, and social networks. To be honest, email is how I learn about a lot of opportunities. Well there’s another blog topic – Email lists to get on.

In any event, one of Hollywood Career Strategies member benefits is the free monthly coaching call. This hour is side aside for members to ask Tanya Kersey any career questions. How ‘bout this past Wednesday, by sheer default, I was the only person who attended the call. Now I believe all members got the email, but I was the only person on the call. So if all the members got the email, why did only one person benefit? There could be any number of reasons – overlooked the email, email trouble, didn’t check email, personal urgent matters, unable to call in for whatever reason, who knows. What I do know is I check email daily. By doing so, I was ready for some insight on how to take the next step to move to the next level.

I've been reteaching myself the art and business of filmmaking for four years and nine months now. I will admit that, this year, at this point of the journey, I sense that I’m getting closer to leveraging some tangible results as a benefit from the relationships I’m building here on earth and in Heaven. Well you look at that, seems we’re back to the question of “How to learn from professionals?” Okay we’ll consider that for future discussion.

Lesson Learning: Develop as a professional film contributor with a reputation for being as passionate about the art as you are knowledgeable of the business.

Who said, “If you stay so ready, Gina, why was your blog late?” The answer, some things we’re simply not ready for.

I dedicate this blog to my beloved cousin-in-law, Tiffany Bolden (10/13/66 – 01/16/11), at Rest In Paradise.

Happy Writing,
/GM

Writing is rewriting until it’s written!

1:11PM and four days later…

2010-12-26T20:52:00.012-05:00

sounds like something I’m dealing with both personally in terms of character and as a filmmaker or procrastination.

As you may know, I purpose to blog on or about the 22^nd of each month, but the title “1:11PM and four days later…” refers to procrastination with blogging. It also relates to other aspects of my life that I sense are mediocre because I procrastinate. For example, on November 2^nd I submitted a sloppy proposal with my Fiscal Sponsorship application for Denied. Ten days later, I received a page and a half reply from the Coordinator stating among other things, “It is an interesting project and I can sense your personal commitment to it. However, your proposal seemed incomplete and general.” What’s worst is actually thinking it would be approved: knowing how I threw it together. HA!

So I procrastinated until last week - five weeks after I got feedback, and on December 22^nd I asked whether there’s a deadline to resubmit. The reply I received is, “Usually we give one month between feedback and second draft, which in your case has passed, but since you are working on the proposal, try to have something for me by early January.” Do you see the unmerited favor here people!

When I began acknowledging various circumstances throughout my life, and more so in recent years, I realized that I often receive special consideration, and I’m very thankful for favor. I’m a witness, favor ain’t fair. But I’m just really beginning to seriously think about how much more rewarding coming-of-age is once procrastination is defeated.

In early-October I attended a couple sessions of the 2010 CDMA Ministers and Leaders Conference, and Mac Hammond said, “You have to see yourself on the other side of the fire.” This is the image of me I’ve developed over the past 10 years: imagining me, envisioning who I am especially when faced with a challenge. Before I really gave this any attention, my life was pretentious and void: when the party ended I simply did not like me. Over time I realized that I need to change in order for my circumstance to change. My logic was that since I settled on creation over evolution, I need a relationship with The Creator. So I purpose to seek God and became a World Changer, and I’m discovering the me He created me to be rather than the me I had become in this world. Now when something or someone comes against me, I smell sweet and savory victory. There’s one problem, sometimes I procrastinate.

Let’s look at a definition: [proh-kras-tuh-neyt, pruh-] verb, -nat·ed, -nat·ing.

- verb (used without object)
1. to defer action; delay: to procrastinate until an opportunity is lost.

- verb (used with object)
2. to put off till another day or time; defer; delay.

- Synonyms
prolong, postpone.

What was my issue? The issue was that I didn’t want to deal with it [period]. What it? The rewrite it! I want to shoot my short and get on with my Writer/Producer credentials to be qualified for those features I’m going to write and produce some day.

Will somebody hit the breaks! That ONLY happens in the movies. In the real world, practice makes permanent and there’s so much truth to that! For example, some people say “the truth will set you free.” Or does it? That truth is taken out of context and incomplete. Because how many people know the truth about health and ignore it to death? Taken in context, the verse reads “31 Then said Jesus to those Jews which believed on him, If ye continue in my word, then are ye my disciples indeed; 32 And ye shall know the truth, and the truth shall make you free.” (John 8:31 –32 KJV).

What’s the point of all this? For you, I think you know. What I’m saying is get on with that “whatever it is” dog gonnit! Stop procrastinating. Besides, so much more is accomplished when you focus on doing what you set out to do, honor promises you make to yourself, and shift from idle to motion; in word and deed. More often than not, you might discover hidden talents. For me, personally, the point is that His word is truth.

Can you see yourself refined or redefined by a test or trial or do you hold on to the image you have of yourself today because you prefer to defer?

Well, I’m happy to report that I am about 90% done with my second draft proposal, once I get through Distribution/Marketing the rest should be a cakewalk. Last week I completed the rewrite of my second script for submission to BlueCat’s Felini Awards in plenty time to polish it before the final deadline. About a month ago, I finally got around to redesigning my website. Today I finally ripped the carpet up off the stairs and got supplies to treat the wood, potted two plants, and just finished my final blog for 2010. Next year I become PMP Certified, produce a short film, attend at least two out-of-state film festivals, build relationships with local filmmakers and my new AT&T colleagues, replace light fixtures and switch plates, and paint rooms!

Until next year, Happy Writing,
/GM

Writing is rewriting until it’s written!

Like Whoa...

2010-11-22T22:36:00.014-05:00

I have so much to share; I don't know where to start! How 'bout this general statement: I love Jesus Christ, wireless data technology, and filmmaking.

Next month marks my second semester - if you will - of teaching World Changers how to pray for hospital patients: in the name of Jesus Christ of course. Basically this means that I have officially stepped in to office. Unlike the service of a volunteer Hospital Chaplain, which I’m still committed to, this service requires greater responsibilities that challenge my maturity as a Believer. So I’m very thankful to be identified as reliable in The Kingdom of God.

In other news, today marks day four as a Project Manager at AT&T Mobility Global Network Operations/Service Operations. Now this REALLY puts me on the path of new frontiers: I’ve settled my procrastination, I need to be prepared to take the PMP exam by June 2011. Besides, I’m required to be Six Sigma Yellow Belt by the end of 2011, not to mention the obvious need to learn golf (i.e. the Corp Raiders’ sport). In any event, I consider this a major advancement with regard to my overall career not just in technology, but also in terms of my accountability as a living epistle and how I would like to apply these techniques to filmmaking.

I tell you, He has not only restored me to a level of corporate responsibility that I'm familiar with, but proved Himself that I would not faint while He used me to lay groundwork for His movie ministry which brings me to some Script Adventure fun stuff.

As I mentioned, it’s been a very exciting month! Roberta Munroe offered to come on board my Denied project as the Consulting Producer because she believes in the script. How cool is that? For me it’s colossal in terms of steering this project onto the best path from start-to-finish and beyond. The fundraising, now that requires a "full-court press" – it’s been said, “You can lead a horse to water, but you can’t make it drink.” Nevertheless, it is written, “Now faith is confidence in what we hope for and assurance about what we do not see (Heb 11:1 NIV).” Needless to say, I believe I received my budget. Amen!

Donna Johnson greatly blessed me with a consultation that put me on path to better understanding my web presence along with tons of useful social marketing tips which reminds me, I need to reconnect with her for another session. Believe me, as a filmmaker in today’s age of New Media you would want to grasp social marketing. I also signed on to Tanya Kersey’s Hollywood Career Strategies – now this is where ambition meets action! Listen, we can all want to be “filmmakers”, but how many of us are willing to respect the craft enough to learn from veterans? Me! Oh yes, let me not forget Michael Elliot. I tell you the truth; he delivered pure platinum in his webinar series – zero Aqua regia here buddies! In retrospect, I don’t know that you can really put a price tag on the information he shared. He literally poured out veteran Screenwriter wisdom. If you missed his webinar series, well, I don’t know what to tell ya except to try contacting him at his site. You definitely should join his Facebook Group – The Ladder.

Read back a few blogs, there are tons of useful resources professionals are giving away because they sincerely want you to succeed in this business. Bottom line, if you really want to connect with professionals while honing your skills and developing your project, then you might want to shut your trap and tune in.

Lastly, yesterday I finally started rewriting my second feature – the plan is to submit to BlueCat Fellini Awards: I believe I received my MacBook Pro. Amen!

I am extremely excited about the coming year, and the goals I’ve set: primarily to produce a short film and obtain PMP certification. The hope is that I get my feature scripts produced. With the advance of New Media, I'm beginning to feel like I've located a nice fit for my skills, background, and passion. There is no greater feeling than to know your purpose, and I believe the past eleven years I dedicated to developing a relationship with Elohim has brought me to a chapter of boundless possibilities.

Happy Writing,

/GM

Writing is rewriting until it's written!

Independent Film

2010-10-22T23:45:00.009-04:00

... a motion picture made by a filmmaker who has no connection with the Hollywood scene… – The Complete Film Dictionary 1st Ed.

I am so motivated by the hustle in my pursuit of success as an indie filmmaker! I also appreciate my ability to contain my enthusiasm that I’m learning to value the process, and building valuable relationships. Now don’t get me wrong, I have rushed to judgment and I don’t regret it because I’m also learning ways to navigate the playing field and strategically plan my approach. In essence, develop effectiveness. After all, it’s been said, “People don’t plan to fail, they fail to plan.”

What I’ve noticed along the way is that some aspiring filmmakers give little-to-no attention to the “script-to-screen” process. Hey, you’ve seen me write it, and I’ll write it again: Writing is rewriting until it’s written. My God, thank you for blessing me with THAT wisdom! Basically what I’m saying is that a script must be developed before it’s shot. I’m not saying that an under-developed script can’t be shot, because anyone with a HDSLR can shoot from a drafted blueprint. It just wont be me… I respect “the hustle” too much for that nonsensical approach. Besides, I’m not into repeatedly duplicating my efforts or armature output. I’m not a perfectionist, I just like things perfect. HA! Hey, the same applies to over-developing. Come’on son, at some point you have to be confident in your work, grow, and move on.

So, would you get your script professionally analyzed? Of course it’ll cost you… it’s a service people. Let me rephrase the question, would you pay for your script to be professionally analyzed? How ‘bout this, given an opportunity to have your short script analyzed by a Sundance Short Film Programmer would you pay for it? Okay, what if you had an opportunity to have your script workshopped with the founder of an internationally recognized screenwriting competition… would you pay for that? If you answered no, then you’re probably not ready to get in the game with veterans… rookie. I’ll keep praying for you: whether you like it or not. So now, there! [arms folded]

Any whose, I’ve been blessed to have my short script for a film I’m producing, Denied, analyzed by Gordy Hoffman and Roberta Munroe. As a matter of fact, I’ll be sending my rewrite to Roberta for further analysis. I’ve decided it’s in the best interest of the project to work with her to fully develop my script, and possibly build a working relationship through her consulting services. So keep an eye out, because trust me, I’m going to deliver.

In closing, I want to give a special thanks to haters. Here’s why, because of what He said [period]. It’s the haters and naysayers, with their bad habits, that'll prove His will.

Happy Writing,

/GM

Writing is rewriting until it’s written!

Reel quick...

2010-09-28T11:15:00.035-04:00

how 'bout I just realized that I hadn't posted to my blog this month. This is great! Because I want scheduled posts and I set on/about the 23rd of each month as my post date. So we're five days past, but isn't it great I remembered? It's an indication blogging is becoming a habit. I suppose a calendar reminder will work better. Give me a minute, I need to set that up.

Okay, I'm back. Let's see, writing? I haven't been writing as much as I could. However, I attended a great workshop Gordy Hoffman led at Creative Studios of Atlanta. I submitted Denied, which is the script for the short I'm producing. The workshop was outstanding, and the feedback from Gordy and everyone who attended was very beneficial! We laughed, we applauded, and we beat the living daylights out of each other's work. Of course I need to tweak a few things; only one of the eleven attendees got my story. My homework assignment is Chinatown, and I'm not sure Gordy will ever be my passenger again :-/

Overall it was an awesome experience, and I'm excited the script I'm producing is getting surprisingly good feedback. There's just one last person I want to analyze the script, and I plan to send it off next week. I was a little unsure what the limit is on how many people should analyze a script, and figured three is the max. Well my confidence was assured when I heard Paul Chitlik give three as the maximum during his interview on IUH.

Alright, the short I'm producing. I really want to make this film. I believe it will engage the viewer's heightened sensitivity, and pull creative talent out of the filmmakers. So far I've been blessed to get a group of professional filmmakers willing to negotiate to crew up for the project. My biggest challenge is the budget. Since launching our crowdfunding campaign on IndieGoGo, I've dedicated most of my energy to attracting supporters and contributors. My friends are showing support by spreading the word and making contributions. As a matter of fact, I just sent a text to over 60 of my mobile phone contacts. I set up a Denied Twitter page, a Facebook page, and a Facebook Event - Social Media, it's cyberspace marketing.

Okay, writing. I'm working on tackling another feature script that I put down a while ago - read back a few blogs, you'll know which one I'm talking about. Here's my approach, enjoy a balance between my exciting roles as a filmmaker and technologist as I pursue success by Faith in the things I love to do the most.

Happy Writing,

/GM

Writing is rewriting until it's written!

It's inconsequential...

2010-08-23T21:44:00.020-04:00

is what I kept telling myself as we adapted my feature screenplay for TV.

Consider the phrasing of this Action:

John takes a stack of worn labeled cardboard boxes upstairs, puts them down at the top of the stairs, then quickly runs back downstairs crossing paths with Jane on her way upstairs.

What's the point of, "on her way upstairs"? If these characters are crossing paths on a stairwell, aren't they already moving in opposite directions? To add, "on her way upstairs" is inconsequential. I believe this type of inconsequential text, and subtext for that matter, takes value away from the description rather than add to it.

Look at these definitions of in·con·se·quen·tial [in-kon-si-kwen-shuhl]:

–adjective

1. of little or no importance; insignificant; trivial.
2. inconsequent; illogical.

try these:

1. not following logically as a consequence.
2. trivial or insignificant.
3. not in a logical sequence; haphazard.

Believe me, it's liberating to identify unnecessary, illogical, trivial or insignificant action... whole scenes are getting cut or reworked! And what's more, at least in my opinion, is that the story gets better!! Accept it, the script is a filmmaking blueprint, the genesis of film. Listen, I don't want my script butchered because I can't logically structure scenes. It's true! The script is written for the Reader - whoever that is.

All script types have set page counts. My goal as a screenwriter is to use as few words as necessary to reveal as much about a story as possible within a set format. I'm learning that I need to know the story I'm writing well enough for the Reader to experience what I've designed my film have the viewing audience experience. The best way to guarantee that is to get my script critiqued by a Reader with a track record for delivering constructive advice so my script matures to it's very best. I've been blessed to have my material critiqued by Readers who have helped develop my stories without changing them. My greatest reward is a practical lesson in story structure.

It's becoming apparent that throughout the script-to-screen stages, your audience is anyone who hears about or reads your material. I'm still in the ‘what my audience reads’ phase of this process. Let me tell you, I'm just beginning to scratch the surface on pitching. I want to get my few scripts tight and produce a short or two before I go pitching an idea for a film. This is an industry!! Honestly, who knows me? Who wants to know me for that matter? ROFL!

So, I'll cruise these filmmaker waters learning as much as I can, sharing as much as I'm able, and receive all He has in store for me trusting He'll show me the way I should go. Hey, that's the best part of why I'm writing the type of screenplays for the movies I want to produce. A single purpose: to be a witness. What a relief! (Acts 1:8)

Happy writing,
/GM

Writing is rewriting until it’s written!

Events and subtext...

2010-07-25T20:35:00.021-04:00

Resolve… The story could be excitingly dynamic if I do more research. Again, revisiting my second feature that, after having it analyzed four months ago, presents a much more demanding exercise than my first. I’m convinced it is because the world I’ve created is diverse. And while I’m somewhat familiar with it, I realize that I have to do more in depth research on the subject which I attached to an object and decide whether to use it as a motif behind the theme, a McGuffin, or both in order to validate the events and subtext… and, oh yeah, my characters. LOL

The thought of more research, let alone rewriting and re-sequencing scenes, presented somewhat of a writer’s block. And so, I decided to take a temporary detour to produce a script. After all, I’m pursuing success as a Screenwriter/Producer here and the goal is productivity… output.

Initially I accepted an opportunity to produce someone else’s project. However, after growing frustration, I walked away from the project two months in. It was in the last two weeks before I got out that I noticed sudden bizarre and stressed communication from my partner which resulted in a disconnect between us. And for as much as I focused on how to best serve my partner, it became increasingly clear that I was no longer given room to produce. Since I was unable to get through to my partner, I decided that before I jumped ship I'll discuss a few of the challenges I was facing with a couple filmmaker friends: one whom I worked with before and another whom I haven’t… yet. It was then that I knew the best decision was to step.

Can I tell how discouraging yet satisfying that was? I was discouraged because I believe the story is worthwhile, yet there’s only so much I can give. Once I’ve given all I have, and it’s to no effect, then a decision to stay or leave must be made. I’ll admit that I was momentarily upset at being shot down after investing in the project and developing a relationship with a Film Commissioner who told me I could call whenever. Well I did, and I knew I was hooked up when the Commiss accepted my call on a Sunday evening while in the middle of vacation!

[Gina, breathe…phew]

Okay, so I won’t get into other relationships I developed over the course. In any event, I’m satisfied knowing that I can connect with the right people to build productive relationships and dissolve those that prove to be unproductive before they become too bitter.

Here’s the problem, when there is no clear focus or it’s lost and anxiety kicks in, you’re going to overwork. This is the plateau where performance becomes unproductive. When you’re in this place, nothing's happening, not matter what you do. You’re wasting time. I’m not saying deadlines are unreachable; they simply need to be realistic considering the circumstances. Besides, any relationship or project suffers when there’s a communication barrier raised up out of nowhere. Will you look at that… here it is too, events and subtext. Oh bene, le cose cambiano!

Forward, Onward, Upward...

I’m happy to write that on July 10th I began producing my own project. So far I’ve drafted a Dir, 1st AD, DP, and PM that I handpicked. All of them are impressed by the script and want to work with me. I received script analysis discounts from seasoned professionals, I’m getting quick responses from pros I’ve connected with, and I found great resources to kick off impressive email and fundraising campaigns. Over the next few weeks I plan to meet with my squad to identify the resources we’ll need to make the film so I can draft a budget and get busy making deals. In the mean time I’m working on one more critical component, and building my email database from addresses I’ve collected over the past six years: 2110 total, give or take 200 for duplication or invalid address.

Until next time…Happy Writing,

/GM

Writing is rewriting until it’s written!

Let’s review, shall we?

2010-06-26T00:18:00.008-04:00

Over the past year since I started Screenwriting: The Script Adventure, I’ve learned a few things: notably that filmmaking, like all professions, is not to be taken lightly. That is to say, just because what you saw at the movies or on television looks like it’s done easily, that doesn’t mean it is. It means the team who presented it know how to do what they’re doing, and do it well. I’ve also come to recognize three crucial aspects of filmmaking: story, socializing, and profit.

First of all, without story you do not have a film. What is story? Read Robert McKee’s Story, then we can talk. So, from a screenwriter/producer perspective, the first piece of advice I’d give to anyone pursuing any narrative film project is to get your story straight… literally and figuratively. If you have not taken time to grasp story in terms of script, then you will find yourself duplicating your efforts to correct mistakes you made filming, or alone because you’re so sure you’re right that anyone who knows better and tries to help you has left you in your smokescreen of virtuosity.

Secondly, I recommend you understand viral marketing: in other words, digital word-of-mouth. Like any other type of networking, the key is relationships building. Needless to say that cyber socializing places you in somewhat of a verbal void. The Internet is a society. If you’re an introvert, then get counseling because eventually you’ll have to face your supporters. Or else how is anyone going to ‘hear’ about your project when they come out to support it if you’re not talking about it? There are numerous Internet social networks dedicated to filmmaking that provide a platform for you to stand on and present your vision. Nevertheless, if you’re not on Facebook, Twitter, and YouTube – these are the minimum, then stop reading this blog and go get your profile set up. But do come back.

Lastly, understand that filmmaking is a business… a big business. That means you will have to work with others. It’s an industry! Go to Box Office Mojo and check theatrical revenues, that’ll give you a clue. This is not to suggest that filmmaking is not an art. I think of filmmaking as the business of expressionism in motion, and there are legal considerations and industry practices that should be understood.

Ultimately, I think it’s important to recognize that while you believe you have a great idea for a film, ask yourself why would anyone want to see it? This should lead you to clearly define your story, share your interest with others who share your interest, and hopefully profit from it.

You should also not be in a hurry to get recognition, and accept that there are people genuinely invested in your success. It has been said that ‘patience is a virtue’. It is written, ‘A man's wisdom gives him patience; it is to his glory to overlook an offense.’ It is also written, ‘Wisdom is the principal thing; therefore get wisdom: and with all thy getting get understanding.’ (Prov 19:11 and 4:7)

So be quick to let it go – whatever it is or was, move forward, focus on the end product, be teachable, and be resourceful.

Happy writing,

/GM

Writing is rewriting until it’s written!

And, so... yeah

2010-05-24T21:40:00.008-04:00

My writing has sort of been kind of idle. I finished Robert McKee's Story, and now I’m reading over the text I highlighted. I also jotted down ideas I have for the rewrite of my second feature. I keep a notebook with pen at all times now – a “Writer” without writing utensils is ludicrous.

In any event, I’ve been focused on reading scripts and watching movies. There’s a valuable purpose for this exercise I’m not sure some filmmakers appreciate. Actually, any time spent performing a vocation without learning how it’s done is time wasted. To continue in that way and expect recognition is insane. At least learn the process before improving it.

For example, my background is mostly technology. I would not be able to “talk shop” with telecommunication Engineers without understanding complex network topology. I studied to show myself approved. And I’m determined to learn story in terms of screenwriting – which will take time. However, two benefits of writing right are patience and knowledge.

I’ve also been focused on revitalizing my Producer role on a “no budget” short with a Director friend. I’m happy to report, the project is moving along very well. Our plan is to be submission ready for 2011 festivals. I’ll keep you posted.

Other than that, I had an awesome time last weekend visiting patients in the hospital! You know I’m a volunteer chaplain right… an ambassador of healing? Well, now you do. And, so… yeah it’s been quite a while since I visited patients because I was waiting for a prayer partner to join me.

I tell you the truth, prayer and fasting heightens sensitivity to the Holy Spirit, which is what I did the morning before visiting patients. I felt the anointing - The Ministry of Reconciliation was in affect!

Happy writing,
/GM

Writing is rewriting until it’s written.

Forward, onward, upward...

2010-04-18T02:07:00.010-04:00

I wrote the first scene of my first script sometime in mid-to-late April 2006. It wasn't until March 2009 that I had a table read with the Atlanta Screenwriters Group which I haven't been as actively involved with due to my work schedule. In any event, yesterday I planned to read my umpteenth rewrite. Still, I'm confident I have a 'final draft'... now. From here I plan to continue researching how to put together a business plan for this project, then polish my pitch.

It wasn't until June 2007 that I wrote anything else - five skits through August of that year. That was before I fully understood my purpose for writing. By June 25th, 2009 I wrote my first short - a comedy: I was given a day to do it. On August 21, 2009 I saved the first five pages of my third feature, and on January 18, 2010 I saved the first three pages of my fourth feature - another comedy. On March 3, 2010 I completed a draft of my second feature that I plan to rewrite after I finish Story - 73 pages to go. Yoo-hoo! On March 5th I completed my second short - my art film that I plan to shot this fall. By the 30th I wrote a draft of my spoken word piece, and on the 31st I completed my first single camera sitcom.

In an effort to learn the craft of screenwriting and the business of filmmaking, I joined the Organization of Black Screenwriters, read Syd Field's Screenplay (revised Ed.), Linda Seger's Making a Good Script Great (2nd Ed.), skimmed a few times over Simon & Wiese's Film & Video Budgets (4th Ed.) and Ralph Singleton's Film Scheduling (2nd Ed.), peruse the WGAe website, watched Pilar Alessandra's On The Page: The DVD a couple times, added Will Eisner's The Contract With God Trilogy to my library - for graphic novel insight, put Roberta Monroe's How NOT to Make a Short Film at the top of my To Get List, tune into Inside Urban Hollywood and Double Down Film Show BlogTalk Radio broadcasts, and as I've mentioned I'm finishing Robert McKee's Story. I was also a panelist at the Kingdomwood Christian Film Festival, and volunteered at Urban Mediamakers Film Festival. I have given minimal feedback on a short script, and the first 10 - 15 pages of another script. Friday I gave feedback to a writer on a rough draft of her stage play.

Nevertheless, I've only read one script by a produced writer, and plan to read Sherlock Holmes over the next couple weeks - so begins my effort to read produced projects.

I have consumed tons of information and met lots of interesting people. And for all the pomp and circumstance I've endured thus far, it's obvious how someone may be attracted to any hobnobbing photo op vicariously in search of identity. Yet I'm so excited I know who's I am and my vision hasn't blurred - make Jesus Christ famous.

I've been commissioned to write. (Matt 28:18 - 20)

Forward, onward, upward...

Happy writing,

/GM

Writing is rewriting until it's written.

CD Track 7

2010-03-17T23:55:00.019-04:00

I got notes from Beth Danesco of All Stories Critique Services on my second script. Needless to say she delivered on her promise and analyzed the living daylights out of my script. Her candor, expertise, humor, and turnaround are greatly valued especially as I begin Chapter 11 (i.e. Scene Analysis) of Robert McKee’s Story. I really want to dig deep with this second piece, that I’ve decided to finish reading before attacking the rewrite. “The end of a matter is better than its beginning, and patience is better than pride.” (Eccl 7:8)

In the meantime, I’m preparing my first script for the campaign trail applying advice I received this morning from a Hollywood insider, “You have done your due diligence... Now its time to activate your networking campaign so you can put yourself in the position to have a chance to actually pitch the script.”

In other news, the folks I met with about scripting an educational program like my writing, but I didn’t have TV script software; so I thought. Well, I conferred with an expert who recommended I use Final Draft, and then I had an epiphany. I can still hear the chorus.

I finally installed Final Draft 7 on a laptop that’s been collecting dust for five years. I had been holding on to a dual license since, I don’t know, 12/16/2008 when I won it as a prize at a screenwriters’ workshop I paid $24 to attend. As I reflect, I remember claiming that prize in route to the workshop.

So here’s my story, I was thinking I’d hold on to it to install on my MacBook Pro 17” that I believe I received (that’s Faith claiming a thing again). Did you just say, “Gina, it’s a DUAL LICENSE!” I know, right? Don’t ask me why I didn’t install it on my desktop which the CD drive on has gone bad, by the way. I just didn’t okay. And to think, it’s only $80 to upgrade to version 8. Final Draft 8 dual license for $104 – that too is the favor of God!

Oh, why did I title this blog CD Track 7? Because it’s the track that was playing when I got out the car this evening. I was listening to my Pastor’s message from New Year’s 2010. He said, “Everything that can separate you from the love of God is wrapped up in a person.” (Who shall separate us from the love of Christ? – Rom 8:35).

Anyway, how 'bout last night while I was brushing my teeth getting ready for bed, I thought about the pre-nuptial agreement. What’s the purpose? Is the person saying I trust my wealth more than a marriage covenant? I’ll sleep in the same bed with you because I know you won’t go Lorena Bobbit on me, but I’m not marrying you without a pre-nup because I know you’ll want half when this arrangement ends.

Who surrenders honor to fear; the coward?

Okay, let me come back.

Well before I fell asleep I had another thought, about earthquake victims in Santiago, Chile. Haven’t seen as much reported on it as I have of Haiti, but I don’t watch much TV either. Then I thought what does anyone do to give hope to hopelessness? Someone very dear to me gives clothes and shoes to homeless people as part of a civic commitment he made. I’ve been visiting hospital patients for seven years to pray with them. I’m actually a volunteer hospital Chaplain. What about you, what are you doing to give hope to hopelessness?

Life is so precious that we must realize it’s value, and how connected each of us are. Consider the impact action or words have had on you – negative or positive. What’s even greater is the powerful love of the Eternal Living God, to whom nothing is impossible, and the impact His words alone have.

I believe I’m a winner and I'm getting better, stronger, and wiser. I will not limit Elohim; He's my only true source:

With man this is impossible, but with God all things are possible. (Matt 19:26)

Happy Writing,

Writing is rewriting until it's written.

Positively Consistent

2010-02-27T21:47:00.035-05:00

I titled this blog Positively Consistent because maintaining a positive demeanor has been at the forefront of my thoughts lately. Why? If I’m not positively consistent, then individuals who are severely attention deprived might affect me. Who are the severely attention-deprived you ask? They’re the people who are needy beyond reason, and probably don't know it: in a nutshell, selfish.

Let me give you an example. Suppose a group of, lets say 12 people, ranging in age from small children to seniors are gathered together for an occasion. Two of the adults in this group engage in a heated debate that leads to a disturbance creating an emotional tidal wave that ripples through the gathering until everyone is yelling at each other. Someone wonders, “What happened”, another wonders, “What’s the big deal”; still another wishes they would all shut up. And the children, who are too immature to identify a cause for this disturbance, are afraid. This pleasant gathering is now chaotic. In this scenario, the two individuals who allowed their emotions to explode are needy beyond reason – selfish.

Here’s another, less obvious, example of sever attention deprivation. Let’s say you're working on a project with someone and the two of you are engrossed in it. Then along comes someone who does something to get both of your attention, and neither of you is aware of him/her. S/he does something else, more noticeable. Still, neither of you are aware of his/her presence. Finally, s/he causes a disturbance to get both of your attention, says, “Hey. Just stopped by to say hey. I didn’t want anything.” then leaves. In this scenario, s/he had no regard for either of your privacy or time. This person is needy beyond reason – selfish.

Both scenarios are examples of severely attention-deprived individuals whose behavior caused a disturbance. Within that spectrum is an array of severe attention deprivation scenarios you may have experienced. Such behavior creates a dysfunctional unproductive situation. Basically, a severely attention deprived individual is someone who creates a disturbance beyond reason. Even the severely attention deprived individual will recognize this character because the severity is greater than their own.

I, on the other hand, work at giving attention rather than taking it away: 1) because I’m attractive, and 2) stealing someone's attention is not a good look for me – it's behavior that doesn't look good on me. Don’t get me wrong; I’m not saying I’m attractive in the physical sense – although I am. What I’m saying is that I have a pleasing personality. And the reason I do is because I like to keep the Peace: peace that surpasses all understanding. Besides, Jesus left it for me:

“Not as the world gives do I give to you. Let not your hearts be troubled, neither let them be afraid. I have said these things to you, that in me you may have peace. In the world you will have tribulation. But take heart; I have overcome the world.” And the peace of God, which surpasses all comprehension, will guard your hearts and your minds in Christ Jesus. (John 14:27, John 16:33, Phil 4:7)

I admit it’s a challenge because my vocal range is wide (i.e. I have a big mouth).

So what does this all mean? For me, as a Screenwriter, recognizing the severely attention-deprived makes for creating good story conflict. As a Believer, it gives me something to add to my list of things to be thankful and someone to be prayerful for.

Now, let’s get into some Screenwriting: The Script Adventure.

Last weekend, I meet with the Atlanta OBS Writers Group. I’m happy to say that, of the three of us who met, I came script ready. We meet again next weekend to discuss my script, and I’m looking forward to the members’ feedback.

Earlier that day, I met with some folks looking for someone to script an educational program they’re developing. I felt we had a good meeting, and they gave me documentation to review and use to write the first episode. Well, I wrote the Teaser and sent it to them to review and decide whether they really want me to write the episode. I thought it best to let them review my work before I write an entire episode – that’s work, and I’m doing this for free. So I want to know whether I need to pump out another 36 pages. In any event, I’m excited to have an opportunity to write a teleplay. Besides, I’m waiting for a reply to get advice from someone who’s done it.

Other than that, I’m still rewriting my second feature and hope to get it analyzed and submitted for competition before the end of March.

Oh yeah, one last thing, I'll probably go see Shutter Island this weekend - looks like a great film.

Happy writing,

/GM

Writing is rewriting until it's written!

The red wristband...

2010-01-22T20:18:00.013-05:00

While the red wristband has nothing to do with screenwriting, I'm inclined to share its significance with you in my first blog of 2010. Why? Because; it's my blog.

So you're probably wondering, what is the significance of the red wristband versus another color?

You'd know if you've been to a taping of The Mo'Nique Show in the Player Penthouse.

Let me explain. There are two colored wristbands issued when you visit The Mo'Nique Show: the red wristband and the orange wristband. Well, it wasn't until just before Elise and I were being seated that I realized the importance of the red wristband.

At the point before being escorted into the studio, we were separated from the 12 or so folks who were issued orange wristbands. Elise responded, "Thank God for the red wristband."

I thought, “Thank God for Sherri McCovey”; the show’s Coordinating Producer. She graciously offered the OBS on Tour – Atlanta Workshop attendees a visit to the show. Considering how long ago that was, I’m thankful I was finally able to go. I was juiced when I saw my name on Sherri’s guest list: Gina Marie +3.

And so, Ashley escorted Elise and me right up to the front row seats. I saw Rachel pulling into the parking lot as we were being escorted into the building. So I asked one of the staff if she could be seated with us; and she was. My other guest arrived a little too late. We didn’t see her until after the taping; she got an orange wristband.

Now for some Screenwriting: Script Adventure fun stuff.

I’ve been working on my ‘Art film’ script for several months now – almost a year come to think of it. In any event, it’s a short piece: approximately six minutes run-time, with three words of dialogue. The purpose is to challenge myself to tell a story with no dialogue. Okay, so I haven’t quite satisfied the requirement. Still, I’m excited about what I’ve accomplished.

I asked one of my mentors, Craig T. Williams of Red Wall Productions, to read it and give feedback. I was nervous, but I wanted a no holds barred critique: the goal here is to perfect the craft people.

He’s reply: “Read it. I really like it and yes it could be a tour de force for an actor, but don't sell yourself short, writing a complete idea with little dialogue where the story is clear is a great accomplishment… Great work”.

Of course, what’s written in place of the ellipses is for my personal growth: the rewrite begins.

I read Craig’s feedback in route to visit The Mo’Nique Show. Red wristbands and positive feedback on my ‘Art film’; how cool is that?

Happy writing,

/GM

Writing is rewriting until it’s written.

Forethought...

2009-12-30T22:45:00.008-05:00

Notice, as it is with every New Year, how the not so poetic express their not-so-creative cliché that rhyme with the year approaching?

For the coming year, the corresponding terminal sound is "n" for twenty-ten.

And sure, I plan to win in twenty-ten.

If I have to, I'll begin again.

What I'm most interested in

is encouragement from family and friends.

I'll take a pat on the back

from a stranger blowing in the wind.

Have sore cheeks from a big fat grin.

STOP!!

I know, see how corny that is? So I'm not poetic, but you get my point.

Let's consider forethought... take some time to really think about the opportunities we'll create for ourselves and others as we move forward, onward, upward.

Here are a couple definitions to start with:

fore-thought [fawr-thawt, fohr-]
–noun
1. thoughtful provision beforehand; provident care; prudence.
2. a thinking of something beforehand; previous consideration; anticipation.

n.
1. Deliberation, consideration, or planning beforehand.
2. Preparation or thought for the future. See Synonyms at prudence.

fore'thought'ful adj., fore'thought'ful·ly adv., fore'thought'ful·ness n.

I admit that I'm guilty of getting ahead of myself, like most people excited to do something or frustrated it's not getting done as fast as we'd like it. This has been the case for me with screenwriting - but I've got a story to tell dog gon'it!

Still, I'm learning the importance of respecting the craft - the sum total is "story". No story, no script.

Yesterday I finally started reading Robert McKee's Story: Substance, Structure, Style, and The Principles of Screenwriting. It's been in my library over a year now. To be honest, I hadn't started reading because the length of the book intimidated me: 419 pages!

Well, I'm only on page 31, and my screenwriting journey is really just beginning - after three years in progress. Exciting, isn't it?

I simply want to do well with sharing the Gospel of Jesus Christ through film.

I'm blessed to be encouraged to continue, and blessed by the many industry professionals I've met throughout this year. Needless to say, I have a lot to learn and I'm excited about my growth in the coming year.

"For talent without craft is like fuel without an engine. It burns wildly but accomplishes nothing." Robert McKee

Happy writing,
/GM

Capiche?

2009-11-14T21:12:00.014-05:00

Thanks to an email from Cheryle Reynolds of Urban Mediamakers Film Festival , I was given an opportunity to attend the Organization of Black Screenwriters Telling Your Story: One Script at a Time writing workshop.

In a single word, WOW!

Along my journey in pursuit of screenwriting success, I have to say that this workshop is the most influential and impressive experience thus far.

Why? Because I learned more about writing as a career than I have in any past experience, and I sensed I possess a natural talent to become a successful Writer/Producer. More important, I realized the abundance of available resources.

I felt empowered to succeed.

And then it happened; once I left the workshop, traveling home. I was confronted with a question: Do you really have what it takes?

My answer, “I’m too busy to come down.”

Because if you know like I know, “the one who received the seed that feel on good soil is the man who hears the word and understands it. He produces a crop, yielding a hundred, sixty or thirty times what was sown.” (Matt 13:23)

My day began with this Twitter/Facebook status:

Gina Marie is giving the Nehemiah answer "I'm too busy to come down" (Nehemiah 4:1-4)

That declaration comes from the title of Dr. Tayo Adeyemi’s message given last year at World Changers Church International’s 23^rd Anniversary.

The fundamental nature of the teaching is acknowledging one’s commitment to finish something or not giving up and not allowing anyone to distract you: ‘not come down’.

I am a Born Again Believer: I believe there is a God. I believe He is the all-knowing, all-powerful, living deity known by many names, and commonly referred to simply as God. I believe He has a son name Jesus who died so that I may live, and who left a comforter known as the Holy Spirit here on earth before He went home to be with His Father. I am devoted to developing a relationship with them.

I’m a Christian Screenwriter who wants to share the good news about Jesus Christ.

This is why I even bother posting to this Blog, and pursuing success as a Writer/Producer.

In other words, Screenwriting: The Script Adventure is about blessings and favor, which are benefits of a relationship I have with the Holy Trinity.

It’s not about me; it's about the God in me.

Capiche?

Happy writing,
/GM

Writing is rewritting until it's written!

Roller-coaster Ramblings n’Such

2009-10-03T20:11:00.012-04:00

Have you ever ridden the Giant Dipper at Santa Cruz Beach Boardwalk? Ever had a Beeps Burger? How ‘bout Chili-ramen, ever had any? If not, you’re so missing out!

Forgive me; you’d have to be a sibling to know about the chili-ramen. My bad, that’s ghetto cuisine. I miss Gran’ma Johnson; just made a bowl of chili-ramen to munch on while I write. ‘Spose it’s that time of year again, her birthday’s coming up.

What does any of that have to do with screenwriting? Nothing. I’m reminiscing here; humor me why don’t you. Why? Because the past few days have been as good n’greasy as Beeps Burger and as wobbly as the Giant Dipper.

Okay: that’s out of my system.

Now for some Script Adventure fun stuff!

Yesterday I was seated next to Dr. David W. Balsiger as a Panelist at the Kingdomwood Christian Film Festival - what an honor that was!

Check out my LinkedIn description:

Offered insight and advice to the Making Films of Faith attendees: covering various topics including the fundamentals of screenwriting, how to craft stories that appeal to Christians, and variations of the faith-based/inspirational genre. Also contributed to the Marketing Your Film panel providing advice on methods Independent filmmakers use to raise awareness about their projects or vision.

That sounds important, hunh?

Okay, do you remember when Navin R. Johnson finds himself listed in the telephone directory?

“Nothing? Are you kidding? Page 73 - Johnson, Navin R.! I'm somebody now! Millions of people look at this book everyday! This is the kind of spontaneous publicity - your name in print - that makes people. I'm in print! Things are going to start happening to me now.” – The Jerk

That’s how I felt! :)

Here’s something else exciting, may seem small to you, but it was really BIG for me. This past Wednesday, I tuned in to the Double Down Film Show on BlogTalk Radio hosted by Pete Chatmon of Double 7 Film. Well, when I logged in to the chat room, the host – whom I believe is Mr. Chatmon himself, wrote, “Focused Films is in the house”. I was JUICED!

Reminds me of a time I tuned in to Inside Urban Hollywood and Tanya Kersey said, “That’s a question from Focused Films”. Or the time I tuned in to Skeebo Films with the host, Spike Spillberg, when he interviewed Martin C. Jones, Producer Extraordinaire, who acknowledged me twice, on two different shows!

Lastly, today I spoke to a Literary Agent who offered to give me feedback on my writing, from time-to-time, as he’s able. I sent him the first 15 pages of my second script; he said, “I like it. It’s better than the first script you sent.”

Now for a tall glass of chilled Kool-Aid: tropical punch.

Things are gonna start happening now!

Happy writing,
/GM

Writing is rewriting until it’s written.

Confessions From a Novice Pt. II

2009-09-12T17:51:00.001-04:00

As promised I'm following up with the results from my screenplay competition submissions.

I didn't make the top 10 of HBFF's 2009 Storyteller competition. Nevertheless, I'm happy to say that I received favorable feedback: graded 81/100 - after asking for it - WOOHOO!

I expect to hear the results of my Slamdance Feature Screenplay submission within the next few weeks, and will update you on this once I receive it.

I didn't make the cut for Nicholls Fellowships in Screenwriting: I had already made the mistake that I advised against - submitting without first getting coverage. LESSON LEARNED!

Notice that I mentioned I asked for feedback from HBFF. I believe it's important to know how well I write: I am more concerned with how I can grow as a writer than whether my first script made the cut. So, when I received the notice that my script was not chosen, I immediately replied with a request for feedback.

Considering I’m still a novice and have only submitted my first screenplay for competition, I’m excited – thrilled even - about my experience thus far and I’m encouraged to continue on my journey.

I started along this path with ideas for three stories. I’ve written one, I’m writing another, I’ve started a third, recently conceived an idea for a fourth feature length script, and I’ve written two shorts.

I’m seeing considerable improvement in my second effort, and plan to invest in formal training soon, will continue my active membership in the Atlanta Screenwriters Group, participate in and attend film festivals, seek advice and direction from professionals, and encourage my peers.

Happy writing,
/GM

Writing is rewriting until it’s written!

Screenwriting Resources

2009-07-09T19:59:00.003-04:00

Writer's Boot Camp

Writer's University

UCLA Screenwriting Program - Online

Atlanta Screenwriters Group’s list:

Stephen King on Writing

Pilar Alessandra - On The Page: The DVD

Michael Wiese Titles

Tanya York Title

Film Specific

Inside Urban Hollywood with Tonya Kersey

Happy writing,
/GM

Writing is rewriting until it's written!

Script Coverage

2009-07-03T00:11:00.002-04:00

So you've written your script, now what?

Well, if you're serious about screenwriting, then it's time to take your craft to the next level. It’s time to get the story you've written into industry acceptable format: after all, the goal is to get your story off the page and onto the screen.

Your next step should be to get your script covered.

Before you convince yourself that you have the best script ever; before you produce, direct, star in, edit, and pitch your script/film believing distributors will start a bid war to make a deal with you; before you even submit to any script/storyteller competition, get your script covered!

I'm not talking about getting feedback from your family or friends who are not in any way involved in filmmaking. I'm talking about script coverage by a professional Reader: a screenwriting structure master.

You should also strongly consider workshopping your script with your filmmaker peers before you get it covered. Believe me you'll save yourself the time, money, and frustration as you navigate through the mountainous terrain of unfamiliar territory known as filmmaking to your destiny of a production worthy script.

Perhaps you've searched for script coverage online? If so, you've likely spent numerous hours sifting through pages of Google results reading about the various levels of script coverage offered and the cost associated with it. Or maybe you've contacted someone who knows someone who knows someone that knows a professional Reader. Or maybe you’re unsure about whether your investment will pay off. After all, professional script coverage is a fee-base service.

Well, pull yourself together and move forward - productively!

As I mentioned at the beginning of this discussion, if you’re serious about screenwriting, then it’s time to take your craft to the next level. It’s time you made an investment in script coverage.

So you’re thinking “It’s so expensive!”

BUT wait, there’s more, I have an affordable source who offers quality script coverage at reasonable rates.

For more information, visit Martin Jones Films.

Happy writing,

/GM

Writing is rewriting until it's written!

Dave and Adoy

2009-06-24T00:38:00.001-04:00

I was drafted by a team for The 48 Hour Film Project - Atlanta. To prepare for competition, we completed this short in 24 hours - our trial run as a team.

You gotta watch the credits to see my name okay; I'm a writer.

Screenplay Checklist

2009-06-08T15:47:00.004-04:00

The information in this post is available at Michael Hauge's Screenplay Mastery website:

*~*~*~*~*~*~*~**~~**~*~*~*~*~*

Screenplay Submission Checklist

1. Use a plain color, three hole, card stock COVER.

2. The TITLE PAGE should include only the title, your name, and your (or your agent’s) address and phone number; no date, copyright or WGA registration information.

3. Follow the SUBMISSION / PROPOSAL SCRIPT FORMAT outlined in either Writing Screenplays That Sell by Michael Hauge or The Screenwriter’s Bible by David Trottier. Or use a formatting software program such as Scriptware or Final Draft. Omit all shooting script devices, such as scene numbers, sound effects in capital letters, or “continued” at the bottom of each page.

4. PROOFREAD, correcting all spelling, grammar and punctuation.

5. Keep it VISIBLE. No author’s asides, illustrations, interior thoughts of the characters (unless they are verbalized), or background information that isn’t revealed through action or dialogue. Remember: nothing goes on the page that doesn’t go on the screen.

6. Introduce the hero within the first ten pages and create immediate IDENTIFICATION using sympathy, jeopardy, or likeability.

7. Give the hero a compelling DESIRE, with a clear, visible goal for her to reach by the end of the movie, and provide seemingly insurmountable OBSTACLES the hero must overcome to achieve that goal.

8. Make the story CREDIBLE: your characters must behave the way people with their backgrounds would logically behave in whatever situation you’ve created.

9. EMPLOY SUBTEXT: avoid clichéd, on-the-nose, or “announcing” dialogue, or speeches that duplicate the action.

10. Create GROWTH for your hero by giving her an emotional fear to overcome as she pursues her goal.

11. Give the story a clear, satisfying ENDING.

12. Before you show it to anybody, REGISTER your script with the WGA: (323)951-4000 or WGA or WGAe

Confessions From a Novice

2009-05-04T17:10:00.003-04:00

I'm writing my second screenplay, and want to encourage first time screenwriters to invest in understanding the craft: taking the initiative to learn the fundamentals and principles of screenwriting.

With my first screenplay, I dove right in to writing because I had a story in me that I needed to get on paper. The only real research I did was finding out what the script formatting rules are in terms of margins, scene headings, page number, etc., and wrote my story in Microsoft Word. That was my first mistake: I’ll tell you why. Somewhere around page 80 or so, I was completely lost in my own story and spent as much time making format corrections as I was writing the story and trying to figure out where I was. Frustrated, yet determined, I had to find a way back to my story. So, drawing on a middle school history assignment technique, I developed a timeline and was able to get back on track.

When I finished it looked great! Of course I registered it – five times over the course of rewriting twice as many times: sharing it with family and friends as the story structure progressed. Not everyone responded, and those who did were extremely helpful with identifying areas in need of structure improvement and character development based on a very limited knowledge of screenwriting.

So, after I don’t know how many rewrites, I thought, “now what?” Well, fueled by passion, bits of information I gathered researching online, a desire to see my screenplay made into a movie (like most, if not all screenwriters), and motivated by anxiety, I submitted to a couple of film festival screenplay contests. That was potentially my second mistake, and I’ll tell you why later.

In any event, shortly thereafter with the help of MySpace, I reconnected with a dear fellow filmmaker, Tiffany Golden (BFA - SF Academy of Art University). Tiffany suggested I download Celtx free screenwriting software, invest in the Urban Hollywood Resource Directory, get "script coverage", and a few screenwriting books I should read.

After researching online, I found that script coverage ranges between $150 to $300 and more depending on the type of coverage provided, and there are tons of service providers out there. That is the point in my journey when I realized I had to make the decision about investing in my dream: so I bought a couple books. :)

To my advantage however, Tiffany embarked on an endeavor to cover scripts and offered to analyze my script. Upon receiving initial coverage, I began hearing concepts that were still a bit foreign to me. Nevertheless, I completed my first rewrite and submitted to the Urban Mediamakers Film Festival and Urban World Film Festival Screenplay contests. Although my script was chosen as an official selection for competition for UMFF, which encouraged me to continue to pursue screenwriting success, I might have placed had I spent more time learning about the fundamentals of screenwriting – LESSON LEARNED.

Shortly thereafter, thanks to Facebook, I reconnected with Martin C. Jones - Producer Extraordinaire, who’s been coaching me and helped me get professional coverage. Prior to reconnecting with Martin, I applied the fundamentals I learned from reading, wrote the script in Celtx, and submitted to the Kairos Prize for Spiritually Uplifting Screenplays. What encouraged me the most at this point was the coverage I received from the Reader Marty connected me with and the coverage from Kairos Prize: the feedback from both sources was comparatively identical. Needless to say my script was not selected for competition, and was in need of structure and character development.

And so began the official rewrite process – you’ve heard it and its true: “writing is rewriting”. In any event, writing in screenwriting software saved me a lot of time with formatting and allowed me to be creative. Equipped with a tool and some fundamental understanding, I was on my way to “Making a Good Script Great”.

Between the first and second drafts, Marty recommended I invest in “On the Page: The DVD” which was monumental to the rewriting effort and proving to be instrumental with my second script. After my second rewrite, I had a table read with the Atlanta Screenwriters Group and received favorable feedback that I believe truly brought my story together during my third draft.

Since working with Martin, my first script has been elevated to a professional level that is extremely satisfying. Also, as a result of purchasing Urban Hollywood Resource Directory, I learned about Tanya Kersey’s Inside Urban Hollywood program: a weekly forum to meet and learn about the business of filmmaking from Hollywood professionals.

Tiffany's advice along with Martin’s coaching, and the valuable insight gained by regularly attending Tanya’s program, has been tremendous in my development as a screenwriter that I’m ecstatic as I take on my second script.

As of this post, I also submitted my first script to the Hollywood Black Film Festival Storyteller Competition, Slamdance Feature Screenplay Competition, and Nicholls Fellowships in Screenwriting. The outcome to be determined: I'll be sure to let you know.

In closing, my advice to first time screenwriters is to gather as many resources as possible, study the technique of screenwriting BEFORE you write, and respect the craft – it’s a key component to the business of filmmaking.

References:

Celtx

Urban Mediamakers Film Festival

Hollywood Black Film Festival

Urban World Film Festival

Kairos Prize for Spiritually Uplifting Screenplays

Slamdance Feature Screenplay Competition

Nicholl Fellowship in Screenwriting

Making a Good Script Great

Screenplay - The Foundations of Screenwriting

Story – Substance, Structure, Style, and the Principles of Screenwriting

On the Page: The DVD

Inside Urban Hollywood

Urban Hollywood Resource Directory

Happy writing,
/GM

Writing is rewriting until it's written!